MARC record from Internet Archive

LEADER: 01914cam a2200325 i 4500
001 2013013386
003 DLC
005 20131220082354.0
008 130426s2013 enk b 001 0 eng
010 $a 2013013386
020 $a9781107043602
040 $aDLC$beng$cDLC$erda$dDLC
042 $apcc
043 $ae-uk---
050 00 $aPN2593$b.W67 2013
082 00 $a792.0941/033$223
100 1 $aWorrall, David.
245 10 $aCelebrity, performance, reception :$bBritish Georgian theatre as social assemblage /$cDavid Worrall.
264 1 $aCambridge ;$aNew York :$bCambridge University Press,$c2013.
300 $avii, 305 pages ;$c24 cm
336 $atext$2rdacontent
337 $aunmediated$2rdamedia
338 $avolume$2rdacarrier
504 $aIncludes bibliographical references (pages 280-297) and index.
505 0 $aIntroduction: theatre, performance and social assemblage theory -- Theatrical assemblages and theatrical markets -- Georgian performance and the assemblage model -- Theatrical celebrity as social assemblage: from Garrick to Kean -- Celebrity networks: Kean and Siddons -- A working theatrical assemblage: 1790s -- Representations of naval conflict -- Theatrical assemblage populations: the Turkish ambassador's visits to London playhouses, 1794 -- Historicizing the theatrical assemblage: Marie Antoinette and the theatrical queens -- The regulatory assemblage: the Roman actor and the politics of self-censorship -- Conclusion.
650 0 $aTheater$zGreat Britain$xHistory$y18th century.
650 0 $aTheater audiences$zGreat Britain$xHistory$y18th century.
856 42 $3Contributor biographical information$uhttp://www.loc.gov/catdir/enhancements/fy1310/2013013386-b.html
856 42 $3Publisher description$uhttp://www.loc.gov/catdir/enhancements/fy1310/2013013386-d.html
856 41 $3Table of contents only$uhttp://www.loc.gov/catdir/enhancements/fy1310/2013013386-t.html