MARC record from Internet Archive

LEADER: 02032cam 2200349Ia 4500
001 9922045520001661
005 20150423142051.0
008 110210s2011 enka 001 0 eng d
016 7 $a015772470$2Uk
020 $a9781854379740
020 $a1854379747
035 $a(CSdNU)u466217-01national_inst
035 $a(OCoLC)701796906
035 $a(OCoLC)701796906
040 $aERASA$beng$cERASA$dOCLCQ$dYDXCP$dNLE$dCDX$dLGG$dUKMGB$dBWX
049 $aCNUM
050 4 $aPN1560-2924
050 4 $aPN1993.5.A1$bE9 2011
082 04 $a790.2
245 00 $aExpanded cinema :$bart, performance, film /$cedited by A.L. Rees, Duncan White, Steven Ball and David Curtis.
260 $aLondon :$bTate Gallery Pub.,$c2011.
300 $a312 p. :$bcol. ill. ;$c25 cm.
500 $aIncludes index.
520 8 $aIn this book leading scholars from Europe and North-America trace expanded cinema from its origins in early abstract film to post-war happenings and live events in Europe and the US; the first video and multi-media experiments of the 1960s; the fusion of multi-screen art with sonic art and music from the 1970s onwards, right up to the digital age. It brings new perspectives to bear on the work of established American pioneers such as Carolee Schneemann and Stan Vanderbeek as well as exploring expanded cinema in Western and Central Europe, the influence of video art on new media technologies, and the role of British expanded cinema from the 1970s to the present day. It shows how artists challenged the conventions of spectatorship, the viewing space and the audience, to explore a new participatory and performative cinema beyond the single screen.
650 0 $aMotion pictures$xHistory.
650 0 $aPerformance art$xHistory.
650 0 $aProjection art$xHistory.
700 1 $aRees, A. L.
947 $fHUMANITIES$hCIRCSTACKS$p$30.88$q1
949 $aPN1993.5.A1 E9 2011$i31786102542203
994 $a92$bCNU
999 $aPN 1993.5 .A1 E9 2011$wLC$c1$i31786102542203$lCIRCSTACKS$mNULS$rY$sY $tBOOK$u10/10/2011