| Record ID | marc_uic/UIC_2022.mrc:1523296:2088 |
| Source | marc_uic |
| Download Link | /show-records/marc_uic/UIC_2022.mrc:1523296:2088?format=raw |
LEADER: 02088cam a2200409 4500
001 99298212005897
005 20200410001245.0
008 680301t19681949nyua b 000 0 eng
010 $a68015150
016 7 $a014344214$2Uk
035 $a1962803-01carli_network
035 $a(OCoLC)ocm00242407
035 $a(ISLdb)332277
035 $a(EXLNZ-01CARLI_NETWORK)991096342699705816
040 $aDLC$beng$cDLC$dBTCTA$dYBM$dOCLCG$dUKMGB$dOCLCO$dOCLCA$dOCLCF$dOCLCQ$dOCLCA$dISLdb
049 $aSPII
050 00 $aND1260$b.P68 1968
082 00 $a750/.1/4
100 1 $aPope, Arthur,$d1880-1974.
245 14 $aThe language of drawing and painting.
260 $aNew York,$bRussell & Russell$c[1968, ©1949]
300 $axiv, 162, lxvii pages$billustrations$c24 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references.
505 0 $aI: The terms of drawing and painting -- 1. The terms of vision and of drawing and painting -- The working tone solid -- 2. Qualifications and limitations of the working tone solid -- Other tone solids -- A true tone solid -- Purity and brilliance -- II: Modes of representation -- 3. The visual images and visual concepts -- 4. The visual effect -- 5. The modes of drawing -- 6. The modes of painting -- 7. Variations in the representation of detail and in the treatment of tone relations in painting -- 8. The use of limited palettes or limited tone sequences -- 9. Conclusion--The use of different modes in recent painting.
590 $aOCLC$bWorldCat Holdings
650 0 $aPainting$xTerminology.
650 0 $aPainting$xTechnique.
650 7 $aPainting.$2fast$0(OCoLC)fst01050567
650 7 $aPainting$xTechnique.$2fast$0(OCoLC)fst01050624
655 7 $aTerminology.$2fast$0(OCoLC)fst01423880
776 08 $iOnline version:$aPope, Arthur, b. 1880.$tLanguage of drawing and painting.$dNew York, Russell & Russell [1968, ©1949]$w(OCoLC)755380599
959 $a(ISLdb)332277
959 $a(UICdb)2982$9LOCAL
994 $a92$bSPI